Buy (and read) my new Poetry Book, “Joie de Vivre – Caressing our Joy”, fifty unpublished poems, at https://www.amazon.com/gp/product/8182539161/ref=dbs_a_def_rwt_bibl_vppi_i1
Reminder of a new publication of mine
Lost on the Way
We created money to exculpate and
accommodate a reason for our diversity
and dissimilarity, to separate the happy
and the unhappy, the (so called) worthy
and the unworthy, as if we could modify
the equality of creation.
We settled borders and built different countries,
as if this world had not been given to us in full.
We allowed shelter to evil, so that good
could be fought, giving reason for a judgment
and a sentence at the end of our earthly lives.
Unfortunately, it was not without reason
that Deuteronomy 32-20 tells us of gloomy
and sad decision of the Creator:
“Then he said – I will hide my face from them,
I will see what their end will be; for they are
a perverse generation, sons in whom is no faithfulness – “
We know nor he or his prophets have yet revoked
cruel and severe such statement.
And the truth is, since then,
we go astray as lost sheep,
and cannot even find the way back.
This poem and all others at this blog, authored by Edilson Afonso Ferreira ©
Reminder of a new Publication of mine
My poem “Surprise at Dusk” was published on Feb 07 2022 in the Literary Review “Rudderless Mariner Poetry”. Many thanks to the dear editors. Read it at:
https://www.rudderlessmarinerpoetry.com/blogpoetrysubmission/surprise-at-dusk-by-edilson-a-ferreira
Hark! The Lark!
On the Watercolor “A Voice from the Cliffs”, 1883, by Winslow Homer.
Three young women standing on a hillside,
no doubt fisher girls at a break in their daily tasks,
spellbound and transfixed by the call of a skylark,
strain and ethereal sound that descends
from its hovering flight.
Fascinated and worried, they certainly think
on people’s ancient beliefs that some bird’s songs
foreshadow a bad omen, or at least, warn us
for dangers in the future.
Painted scene by Homer, in his summer season
at the fishing community in Cullercoats, England.
But now we know that these well-shown concerns
did not materialize.
Winter and tempests which followed did not weaken
the vigor and healthy yearnings of so industrious
and happy that community.
An example for all of us, not worry on winters
and tempests, that will, undoubtedly, be frightening us,
by upcoming days and scenes of our lives.
Published in The Ekphrastic Review, June 22th 2022

Reminder of a new Publication of mine
My poem “The Day of our Victory” is published today in the Indian Literary Journal “Active Muse”, its Shishir (Winter) 2021 Poems. Many thanks to the dear editor Shashi Kadapa.
http://www.activemuse.org/2021_Collections/Shishir_2021/Poems/Edilson_Afonso_Ferreira.html
Reminder of a new publication of mine
My poem “Seasons on Fire” was published in the Ekphrastic Review, on January 11 2022. Many thanks to the dear editor Lorette C. Luzajic.
https://www.ekphrastic.net/ekphrastic-journal/seasons-on-fire-by-edilson-afonso-ferreira

Unfulfilled Dreams
Today I see my friend’s house,
who passed away three months ago,
and then I glimpsed a sad fact,
poignant and painful, the message that remained,
at the top of the four corners of his house,
where he lived with spouse and three daughters.
Steel spikes left pointing to the sky,
born from the hope of the columns that would ascend
to the second, maybe even a third floor,
sheltering future grandchildren, great-grandchildren,
all of them shielding his marks, his beliefs,
his wants and desires, his heritage to the posterity.
His daughters are not married yet, and,
probably, will not start a family.
I hope he will come to understand that,
although his house did not reach greater heights,
neither saw nor heard from grandchildren,
the life he lived on its ground floor had been
happy and fruitful, better than the all of us.
He died at age 84, and I miss him terribly.
This poem and all others at this blog, authored by Edilson Afonso Ferreira ©
Reminder of a new publication of mine
My poem “Fears and Feelings” is published today, December 1st 2021, in the London Literary Journal The Lake. Many thanks to the dear editor Mr. John Murphy.



